Friday, January 09, 2004
Hitch Daily | Tom Cruise needs a shrink
STUPID CELEBRITY QUOTE OF THE DAY
“I think (psychiatry is) an utter waste of time. There’s nothing scientific about it. Communication is a good thing but I think people get more mentally out of having a good meal or going for a walk. I think psychiatry should be outlawed.” --Tom Cruise, uninformed Scientologist
I’m ready to hate Tom Cruise again. Is he for real? “You say you’re on the verge of suicide? Why don’t you go take a stroll in the park or get a chili cheese coney.” Cruise himself might need some psych treatment shortly when he fails to get nominated for an Oscar for “The Last Samurai.” Or does Scientology have some doohickey that gets rid of depression by placing your hands on an electronic box and zapping you with a dose of L. Ron Positrons?
AT THE MOVIES
Two new films open today. One is “Chasing Liberty,” the latest Mandy Moore vehicle and the first of two “Presidential daughter falling in love” movies hitting theaters this month (the other stars Katie
Holmes). Girls will see it for the romance angle; guys will see it to ogle Mandy. It doesn’t matter, as long as they’re seeing that and not “My Baby’s Daddy,” which looks like a strong candidate for 2004’s Worst Movie of the Year. Eddie Griffin, Anthony Anderson and that one guy from “The Sopranos” who should be thanking God that “The Sopranos” isn’t over yet star in what looks like an urban remake of “Three Men and a Baby,” except that there are three babies. That’s three times
the hilarity, right? All the jokes you’d expect - a baby pees in his face! - are present. How did this ever skip UPN and get to be a major motion picture?
HERE’S SOMETHING YOU DON’T HEAR EVERYDAY
But yesterday I had someone tell me:
“Oh, yeah, I know you. I entered your name in a background check.”
MARQUEE MADNESS
Spotted on my local McDonald’s marquee:
“NOW ACCEPTING REESES MCFLURRY”
TEEVEE TIP
Hitch Daily reader Jason alerts to the Sunday-night start of Season 2 of the WB’s “The Surreal Life,” the reality series that puts a bunch of celebrity B- and C-listers in a Hollywood mansion for a couple of weeks. I didn’t see the show last year because I am allergic to Corey Feldman, but this year’s lineup sounds promising: Tammy Faye Messner, Vanilla Ice, porn star Ron Jeremy, MTV “Real World” grad Trishelle, “Baywatch” second-stringer Traci Bingham and Erik Estrada.
OFF THE SHELF
The last time I had bought a book at a grocery store was in 1984. But yesterday while I was filling a cart with food for the fam, I spotted Dan Brown’s “Digital Fortress" on the paperback rack for $5. Having read and enjoyed “The Da Vinci Code” last spring, I thought, “I think I’d like to read this in a couple of months after I get through some other books on the pile,” and bought it. Then I went to pick up my son from school and I was a few minutes early so I thought, “Well, I’ll just read the first few pages while I’m waiting.” Twelve hours and 254 pages later, I’m totally hooked. It’s a techno-thriller about a female NSA cryptographer who has the save the country when an unbreakable code falls into their hands from an enemy. Only it’s a *lot* more complicated than that. This isn’t Pulitzer material or anything, but Brown is a genius for breaking up his chapters into about three pages apiece and throwing a conflict into the end of every one of him, thus piling them up and leaving most of them unresolved to the very end. In other words, it’s very hard to put down. ***censored*** you, Dan Brown!
THE LOWDOWN
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Mandy Moore nude?
With today’s release of Chasing Liberty the thoughts of a nation have once again turned to Mandy Moore. We thought it was time for a Mandy-update.
Mandy gets naked!
First off, we have to squash the rumor that Mandy gets naked in Chasing Liberty. Apparently, there are a couple of close calls, but before all you one-handed surfers start rushing to the multiplex, let’s hear from Mandy herself. The following is from an interview with the Toronto Sun:
"Well, you know that wasn’t me,” Moore says, her voice rising to sound insistent. “No! No! No! That was a body double. The poor girl, too.” The river, Moore says, was filthy. “The girl just took off her clothes and jumped in the water and was splashing and stuff. I was very thankful that there was someone willing to do that for me because I’m a pretty modest girl, obviously, and pretty hygienic. I was like, ‘I don’t even want to put a toe in the water.’ “Another scene showed the real Moore letting a towel drop away as the camera watches from a discreet angle. “Taking the towel off? It was a little weird, a little weird. Obviously, I was wearing something underneath (a tube top), but it’s odd. You grow comfortable around people because you’ve been around them for weeks and they’ve done many movies and they understand that it’s just part of the job. But even just that insinuation—like there’s nothing there—it’s weird. I don’t want anyone seeing me like that.
Will she ever get a role in a film that will truly spotlight her natural… talents?
“I will sit here right now and say that I will never do nudity, ever,” said Mandy. “That’s how I feel right now and I’m pretty secure in saying that’s how I’ll feel, period.”
Mandy to star in thriller
Many of her fans have wondered if Mandy will forever be relegated to roles in stupid teen movies It now seems that her career is about to take another turnn. According to Variety, she has signed on to star in her first thriller, tentatively titled “Au Pair.” Mandy will play a teenager taking care of two kids who encounter evil doings. The film is described as The Hand that Rocks the Cradle in reverse.
Next up for Mandy is a role in John Turturro’s musical Romance and Cigarettes and a cameo appearance in Wes Craven’s troubled werewolf flick Cursed.
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DAWN OF THE DEAD poster (U.S.)
Not too shabby. I’m actually glad that they have kept the original tagline. But as cool as this poster is, it pales in comparison to the Japanese version.
And while you’re in zombie mode, check out the full Dawn of the Dead trailer.
Posted by Cinema Eye. :: Filed under: :: :: Permalink
Tuesday, January 06, 2004
DOWN AND DIRTY PICTURES hits book stores
In 1998, Peter Biskind wrote Easy Riders Raging Bulls: How the Sex-Drugs-and-Rock ‘n’ Roll Generation Saved Hollywood. It was an exhaustively researched and very gossipy look at the maverick filmmakers in the 1970’s who not only made incredible films but forever changed Hollywood. It’s a great read and essential for anyone who is interested in the history of American Cinema—or anybody looking for a nice trashy read that includes stories about the studio sending hookers to service Stephen Spielberg during the production of Jaws.
Now Peter Biskind is back with an equally gossipy, but no less well-written followup: Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film. This new volume focuses on the group of filmmakers who got their big launch at Sundance, starting with Steven Soderbergh and culminating with Miramax’s evolution into an Oscar-hungry “mini-major.”
The book has already generated a tremendous amount of buzz with just about everybody in the movie industry scrambling to get advance copies. Simon and Schuster kept a very tight lid on the book, but finally it is available. Although I’ve just started reading my copy I can already tell that this is going to be a highly entertaining read. In the Preface alone, Harvey Weinstein is essentially described as a Russian mafia boss complete with a baseball bat propped up against the wall in his office. In the first five pages, Biskind has already described:
• the climate of fear surrounding Miramax
• the forced re-cutting of the ending of Bad Santa which led to Terry Zwigoff leaving the film
• an event where Weinstein essentially tried to bribe Biskind NOT to write this book
• Spike Lee saying: “I’ll speak my mind. I’m not scared a’ that fat ***censored***, he can’t whiteball me out of the industry.”
I’ll have a full review for you in a few days, but if you’re into this kind of thing you should order a copy from Amazon.com instead of buying it at Barnes and Noble like I did. You’ll save almost ten bucks.
Read the rest...Posted by Cinema Eye. :: Filed under: :: :: Permalink
AMERICAN SPLENDOR named Best Picture by critics
The National Society of Film Critics announced their 2003 awards on Monday and American Splendor beat out Mystic River and Lost In Translation for best picture. What follows is a complete list of awards given by the organization, including the runners-up and the amount of votes for each picture.
While American Splendor definitely deserves top honors, I still think Clint Eastwood’s Mystic River is very overrated and his selection as Best Director has me scratching my head.
BEST PICTURE
1. American Splendor (Shari Springer Berman and Robert Pulcini) - 29 (Fine Line)
2. Mystic River (Clint Eastwood) - 27
3. Lost in Translation (Sofia Coppola) - 19
BEST FOREIGN-LANGUAGE PICTURE
1. The Man Without a Past (Aki Kaurismaki) - 38 (Sony Pictures Classics)
2. TheTriplets of Belleville (Sylvain Chomet) - 15
3. Unknown Pleasures (Jia Zhangke) - 13
BEST DIRECTOR
1. Clint Eastwood (Mystic River) - 35 (Warner Bros.)
2. Peter Jackson (The Lord of the Rings: The Return of the King) - 24
3. Sofia Coppola (Lost in Translation) - 19
BEST SCREENPLAY
1. Shari Springer Berman and Robert Pulcini (American Splendor) - 43 (Fine Line)
2. Brian Helgeland (Mystic River) - 22
3. Craig Lucas (The Secret Lives of Dentists) - 14
BEST NONFICTION FILM
1. To Be and to Have (Nicolas Philibert) - 34 (New Yorker)
2. The Fog of War (Errol Morris) - 33
3. Spellbound (Jeffrey Blitz) - 18
BEST CINEMATOGRAPHY
1. Russell Boyd (Master and Commander: The Far Side of the World) - 37 [Fox]
2. Lance Acord (Lost in Translation) - 22
3. Harris Savides (Elephant) - 21
BEST ACTOR
1. Bill Murray (Lost in Translation) - 71 (Focus)
2. Sean Penn (Mystic River) - 49
3. Paul Giamatti (American Splendor) - 24
BEST ACTRESS
1. Charlize Theron (Monster) - 36 (Newmarket)
2. Hope Davis (American Splendor and The Secret Lives of Dentists) - 24
3. Naomi Watts (21 Grams) - 17
BEST SUPPORTING ACTOR
1. Peter Sarsgaard (Shattered Glass) - 40 (Lions Gate)
2. Tim Robbins (Mystic River) - 18
3. Alec Baldwin (The Cooler) - 17
BEST SUPPORTING ACTRESS
1. Patricia Clarkson (The Station Agent [Miramax] and Pieces of April [UA]) - 37
2. Maria Bello (The Cooler) - 18
3. Shohreh Aghdashloo (House of Sand and Fog) - 16
FILM HERITAGE AWARDS
1. Kino on Video for its excellent DVD collections of F.W. Murnau, Erich von Stroheim, and the American Film Theatre Series.
2. Milestone Film and Video for its exemplary theatrical and/or DVD presentations of Michael Powell’s “The Edge of the World,” E.A Dupont’s “Piccadilly,” André Antoine’s “La Terre,” and “Mad Love,” the films of Evgeni Bauer.
Posted by Cinema Eye. :: Filed under: :: :: Permalink
